Andrew Graham-Dixon appraises Tate Modern's major exhibition of works by Max Beckmann. An extraordinary artist branded a degenerate by Adolf Hitler, Beckmann's works reflect the
AGD examines the millennial anxiety of 1499, when Europe was gripped by apocalyptic fear as hellfire preachers predicted the end of the world.
AGD visits Venice. The city, founded by refugees and made rich through foreign trade, became the source of the greatest painters of light and colour.
AGD concludes the series by asking how the Renaissance came to an end and examining its legacy.
Bomberg Auerbach at the Daniel Katz Gallery in London
Andrew discusses the first ever solo Vanessa Bell exhibition - Vanessa Bell: A Pioneer of Modern Art - with associate curator Rachel Sloan at The
A flying tour of the top floor of the Courtauld Galleries, and their new display of French late nineteenth and early twentieth century masterpieces.
The Courtauld's first ever photography exhibition includes images of hope and love in a bombed out 1950's London.
The May members' video comes to you from the press event for 'Michelangelo; The Last Decades' at the British Museum.